During the era of World War II, the use of sound as a weapon was of great interest to Nazi leader Adolf Hitler, as he ordered this new technology to be developed by covert members of his 3rd Reich Nazi Army; as experiments were being conducted in secret locations by German scientists who were experts in the fields of sound and weaponology, their extensive testing enventually led them to the creation of a system called “high-intensity directed acoustics” which was a very early form of “sound blasting” – the basic principle was to deliver concentrated amounts of extremely powerful deafening sound waves aimed directly at a particular target (usually a human target) that could injure, maim, or kill; the result was a device that could emit narrow beams of finely tuned sounds, or “sonic bullets” which were ear-splitting audio emissions in excess of 140 decibels or more (well beyond the limits of a human being’s sound pressure pain threshold) combined with low-frequency oscillators that fire a rapid 800 to 1500 impulses per second, causing instant loss of equilibrium, vomiting, severe migrane headaches, or in some cases, liquification of a human being’s innards. These high intensity audio emissions could also shatter a person’s skull and rattle their bones so violently that the victims would fall to the ground clutching their ears in agony as the audio assault on their bodies caused rapid and painful instant death.
This technology was seen as a very useful and deadly tool in the Nazi arsenal, and plans for deployment were in the works just as the war was coming to an end; when WWII finally was over, the German military no longer saw a use for these extremely expensive and ultimately deadly audio weapons, so in order to stop them from falling into the wrong hands and used against them in the future, the German military ordered these weapons and any blueprints, manuscripts, or any evidence of this technology to be destroyed immediately.
However, during the final years of the war, United States intelligence spies gathered information on the German sound weapon technology and military leaders expressed an extreme interest in acquiring this technology for further development and testing for the US military, CIA, and FBI. On the evening which the German military were transporting their experimental weapons for destruction, a team of highly skilled US military special forces ambushed their convoy, and seized control of the sound weapons, and all related documentation. The items were then delivered to US military scientists, who immediately began working on the development and reverse engineering of the german sound weapon technology.
Over the next several decades, their plans evolved to create a highly advanced bio-engineered human hybrid test subject and install the sound weapon technology into an exoskeleton, creating a super humanoid ultimate weapon; the result was finally achieved when the military surgeons, or “flesh mechanics’ as they were nicknamed, fused the remains of a dead special forces soldier with a bio-mechanical titanium skeletal structure, and combined the operating system with a digitally synthesized sound module for detailed and specialized control of the sound emissions. All of these systems were controlled by the most advanced and powerful non-commercial micro-bionic computer processor ever developed.
In an effort to keep the covert project as secret as possible, the US military conducted top-secret experiments at the Groom Lake test facility in Nevada (otherwise known as Area 51) The prototype unit was code named SMJX1, and the existence and knowledge of this weapon were dismissed and denied by all senior leaders and top officials of the US military and the US government. One of the US military scientists that was assigned to operations and maintenance of the special weapon was lured into defection by a radical paramilitary organization which offered him a substantial amount of compensation and promised immunity and asylum from persecution in exchange for turning over the prototype SMJX1 unit.
During one of the routine testing procedures, the defecting scientist re-programmed the SMJX1 to accept only his commands that were transmitted from a handheld device; he then left the base and retreated to a hidden temporary camp set up by the paramilitary group on one of the mountain tops overlooking the test facility. Later that evening, while the SMJX1 was being tested inside one of the underground bunkers, the scientist switched on his portable hand held control device and downloaded the override command program to the SMJX1’s operating system; the SMJX1 then broke out of the heavily secured test facility at Area 51 and blasted it’s way through the ranks of security and armed personnel. The ground assault troops, and aerial attack units were no match for the SMJX1’s destructive sonic audio power and as a result, the Area 51 central command ordered their forces to fall back and retreat and discontinue pursuit of the now rogue SMJX1 unit.
Following it’s homing signal generated by the scientist’s hand held control device, the weapon made it’s way towards the secluded base camp, where it was met by an arsenal array of gun barrels aimed directly towards it, held by the frightened and timid paramilitary soldiers; since the re-programmed rogue military super weapon had now lost the ability to detect friend from foe, the SMJX1 began a defensive attack and assault on the entire paramilitary base camp; during the siege, all of the paramilitary soldiers and the scientist were killed and the remote handheld device used to control the SMJX1 was destroyed, so the weapon was now out of control and it’s ability to analyze, rationalize, and make decisions was now severely compromised; fearing for it’s own survival, the weapon retreated into an abandoned industrial junkyard, and constructed a safe haven amongst the giant piles of discarded sheet metal and assorted mechanical and hydraulic garbage.
While scavenging through the scrapyard, the SMJX1 discovered the remains of another bio-mechanical human hybrid device that appeared to be tossed aside as an unfinished piece of work; upon further investigation, the SMJX1 examined the stainless steel cover bolted to the back of the humanoid’s head and noticed a name had been engraved there – “ Vikki Sexxx ” an experimental humanoid hybrid clone that was designed as a realistic substitute for a human sexual companion.
This device was incomplete and was in serious need of extensive reconstructive service and repair; the SMJX1 immediately began working on restoring Vikki Sexxx to the original design, applying the same “flesh mechanic” techniques that fuse living human organs and tissues with bio-mechanical exoskeletal technology. Once completed, the SMJX1 and Vikki Sexxx units began developing their individual skills, and at the same time extracting samples from the myriad of broadcast signals found abundantly in the atmosphere; finding discontent with the offerings heard on the airwaves, SMJX1 and Vikki Sexxx combined forces to create Squirrelly Arts, an undefinable audio experiment delving into the realms of transient electronic aural audio stimulation and therapeudic neural expansion for tired minds; recruiting Z0MB13, The Ridiculous Raymond Raye McShimpton, and Synn, the team has unleashed it’s own audio assault on the masses with unforgiving call to arms…
Consider yourself warned; and prepare for the invasion…